Ceramic tea pots (Taoci Chahu)

Kännchen Chaozhou Da Kou

Small handmade Chaozhou teapot by Cai Yujian - Volume approx. 85ml Da Kou means "large opening" and refers to the wide diameter of the lid. This teapot is made from a blend of Tian Ni and Shan Kuang, two types of local clay from the Chaozhou region. About the shape The name Shui Ping combines the characters for "water" and "level/balanced." Developed in the 16th century during the late Ming Dynasty, the Shui Ping teapot has since become a classic. Modern Shui Ping teapots are characterized by a low center of gravity, with the handle, spout, and lid knob aligned on a single horizontal line. An introduction to Chaozhou clay teapots and detailed information can be found here.

Kännchen Chaozhou Li Hu

Small handmade Chaozhou teapot by Cai Yujian. Volume approx. 90ml This teapot is made from a blend of Tian Ni and Shan Kuang, two local clay types from Chaozhou. About the shape Li Hu - the "Pear Teapot" - is inspired by the shape of a pear: narrow at the top, round and gracefully curved at the bottom. Today, it is considered one of the most important traditional teapot forms in Chaozhou culture. The rounded base allows the tea to unfold fully, while the narrowing top helps retain the fragrance. Its refinement lies in the balance of its proportions: only through precise wheel-throwing does it become elegant and refined, never bulky or heavy in appearance. An introduction to Chaozhou clay teapots and detailed information can be found here.

Kännchen Chaozhou Shen Ceng

Small handmade Chaozhou teapot by Cai Yujian - Volume approx. 90ml Shen Ceng means "deep layer" and refers to the rare feldspathic clay used for this piece. Yujian processes this clay using a complex traditional method known as Tiao Sha: the addition of sand. The clay is first fired at a low temperature, then ground and sieved before being re-mixed with raw clay. About the shape The name Shui Ping (??) combines the characters for "water" (?) and "level/balanced" (?). Developed in the 16th century during the late Ming dynasty, the Shui Ping teapot has since become a classic. Modern Shui Ping teapots feature a low center of gravity, with the handle, spout, and lid knob aligned on a single horizontal line. An introduction to Chaozhou clay teapots and detailed information can be found here.

Keramikkanne Feuerbrand Taiwan

Ceramic teapot from Taiwan, fired in a wood-fired kiln with ash approach. To achieve such results, the pot must be fired several times. The artist Chen Xuanheng produces this teapot in his studio in Xinbei (New Taipei City) with clay from Miaoli.

Kyusu Vulkangestein

Clay pot with side handle like a japanese Kyusu made of volcanic rocks from Taiwan by Master Lin Guanxian. Of course, Japanese green tea can also be prepared in it, the tea will be softer, denser and more damped overall. However, the pot is intended for Oolong and Pu'er. Pots with a handle are an old Chinese style, not Japanese per se. Lin Guanxian studied in Japan. His style has been influenced by the aesthetics and cultural diversity from there. The simple style is meant to remind us of the soil of Taiwan, an island full of volcano, a simple beauty, in the idea that the warm tea reactivates the cooled volcano within us! ca. 200ml capacity.

Kyusu Vulkangestein

Clay pot with side handle like a japanese Kyusu made of volcanic rocks from Taiwan by Master Lin Guanxian. Of course, Japanese green tea can also be prepared in it, the tea will be softer, denser and more damped overall. However, the pot is intended for Oolong and Pu'er. Pots with a handle are an old Chinese style, not Japanese per se. Lin Guanxian studied in Japan. His style has been influenced by the aesthetics and cultural diversity from there. The simple style is meant to remind us of the soil of Taiwan, an island full of volcano, a simple beauty, in the idea that the warm tea reactivates the cooled volcano within us! ca. 200ml capacity.

Tonkännchen Chaozhou mini

Chaozhou Gong Fu Cha teapots in miniature size. Handcrafted from Tianni by the artist Zhang Weiqin. A Jinzhong 55ml B Hulu 35ml C Xishi 35ml D Shuiping 45ml SOLD OUT E Jinzhong 33ml F Shuiping 14ml SOLD OUT Please indicate in the comments field which jug you would like (letters A-E)

Tonkännchen Jianshui Kupferfarben Blume

Handmade clay teapot with flower relief from Jianshui. Made in the Pu Pu Tao Yin studio for Länggass-Tea, with a wide lid opening for large leaves and easy cleaning. Jianshui clay has a high heat storage capacity and is particularly suitable for darker teas as well as fresh Sheng Pu Er. Capacity: 160ml

Tonkännchen Jianshui Kupferfarben schlicht

Handmade clay teapot from Jianshui. Made in the Pu Pu Tao Yin studio for Länggass-Tea, with a wide lid opening for large leaves and easy cleaning. Jianshui clay has a high heat storage capacity and is particularly suitable for darker teas as well as fresh Sheng Pu Er. Capacity: 110ml

Tonkännchen Jianshui Schwarz Fisch

Handmade clay teapot from Jianshui with fish engraving. Made in the Pu Pu Tao Yin studio for Länggass-Tea, with a wide lid opening for large leaves and easy cleaning. Jianshui clay has a high heat storage capacity and is particularly suitable for darker teas as well as fresh Sheng Pu Er. Capacity: 160ml

Tonkännchen Jianshui Schwarz schlicht

Handmade clay teapot from Jianshui. Made in the Pu Pu Tao Yin studio for Länggass-Tea, with a wide lid opening for large leaves and easy cleaning. Jianshui clay has a high heat storage capacity and is particularly suitable for darker teas as well as fresh Sheng Pu Er. Capacity:

Tonkanne Jianshui Holzbrand Langgui 1

Handmade teapot for Gong Fu Cha, crafted from Jianshui clay and fired at Langgui Chaishao. The ash produced during the burning of the wood settles on the vessels in the kiln and begins to melt into a glassy layer at temperatures above 1150 °C. Depending on the firing atmosphere and the position in the kiln, various ash deposits and firing marks form, shaping the surface of the clay. Report from the on-site studio visit, plus background information and photos of the production of this pottery: Jianshui ceramics Volume: 120ml

Tonkanne Jianshui Holzbrand Langgui 2

Handmade teapot for Gong Fu Cha, crafted from Jianshui clay and fired at Langgui Chaishao. The ash produced during the burning of the wood settles on the vessels in the kiln and begins to melt into a glassy layer at temperatures above 1150 °C. Depending on the firing atmosphere and the position in the kiln, various ash deposits and firing marks form, shaping the surface of the clay. Report from the on-site studio visit, plus background information and photos of the production of this pottery: Jianshui ceramics Volume: 190ml

Tonkanne Jianshui Holzbrand Langgui 3

Handmade teapot for Gong Fu Cha, crafted from Jianshui clay and fired at Langgui Chaishao. The ash produced during the burning of the wood settles on the vessels in the kiln and begins to melt into a glassy layer at temperatures above 1150 °C. Depending on the firing atmosphere and the position in the kiln, various ash deposits and firing marks form, shaping the surface of the clay. Report from the on-site studio visit, plus background information and photos of the production of this pottery: Jianshui ceramics Volume: 150ml

Tonkanne Jianshui Holzbrand Langgui 4

Handmade teapot for Gong Fu Cha, crafted from Jianshui clay and fired at Langgui Chaishao. The ash produced during the burning of the wood settles on the vessels in the kiln and begins to melt into a glassy layer at temperatures above 1150 °C. Depending on the firing atmosphere and the position in the kiln, various ash deposits and firing marks form, shaping the surface of the clay. Report from the on-site studio visit, plus background information and photos of the production of this pottery: Jianshui ceramics Volume: 110ml

Tonkanne Jianshui Holzbrand Langgui 5

Handmade teapot for Gong Fu Cha, crafted from Jianshui clay and fired at Langgui Chaishao. The ash produced during the burning of the wood settles on the vessels in the kiln and begins to melt into a glassy layer at temperatures above 1150 °C. Depending on the firing atmosphere and the position in the kiln, various ash deposits and firing marks form, shaping the surface of the clay. Report from the on-site studio visit, plus background information and photos of the production of this pottery: Jianshui ceramics Volume: 220ml

Tonkanne Vulkangestein

Clay pot made of volcanic rocks from Taiwan by Master Lin Guanxian. Lin Guanxian studied in Japan. His style has been influenced by the aesthetics and cultural diversity from there. The simple style is meant to remind us of the soil of Taiwan, an island full of volcano, a simple beauty, in the idea that the warm tea reactivates the cooled volcano within us! ca. 200ml capacity.

Tonkanne Vulkangestein

Clay pot made of volcanic rocks from Taiwan by Master Lin Guanxian. Lin Guanxian studied in Japan. His style has been influenced by the aesthetics and cultural diversity from there. The simple style is meant to remind us of the soil of Taiwan, an island full of volcano, a simple beauty, in the idea that the warm tea reactivates the cooled volcano within us! ca. 200ml capacity.

Tonkanne Vulkangestein

Clay pot made of volcanic rocks from Taiwan by Master Lin Guanxian. Lin Guanxian studied in Japan. His style has been influenced by the aesthetics and cultural diversity from there. The simple style is meant to remind us of the soil of Taiwan, an island full of volcano, a simple beauty, in the idea that the warm tea reactivates the cooled volcano within us! ca. 200ml capacity.

Tonkanne Vulkangestein

Clay pot made of volcanic rocks from Taiwan by Master Lin Guanxian. Lin Guanxian studied in Japan. His style has been influenced by the aesthetics and cultural diversity from there. The simple style is meant to remind us of the soil of Taiwan, an island full of volcano, a simple beauty, in the idea that the warm tea reactivates the cooled volcano within us! ca. 200ml capacity.

Tonkanne Vulkangestein

Clay pot made of volcanic rocks from Taiwan by Master Lin Guanxian. Lin Guanxian studied in Japan. His style has been influenced by the aesthetics and cultural diversity from there. The simple style is meant to remind us of the soil of Taiwan, an island full of volcano, a simple beauty, in the idea that the warm tea reactivates the cooled volcano within us! ca. 150ml capacity.

Tonkanne Vulkangestein

Clay pot made of volcanic rocks from Taiwan by Master Lin Guanxian. Lin Guanxian studied in Japan. His style has been influenced by the aesthetics and cultural diversity from there. The simple style is meant to remind us of the soil of Taiwan, an island full of volcano, a simple beauty, in the idea that the warm tea reactivates the cooled volcano within us! ca. 200ml capacity.

Tonkanne Vulkangestein (Henkel "Rolle")

Clay pot made of volcanic rocks from Taiwan by Master Lin Guanxian. Lin Guanxian studied in Japan. His style has been influenced by the aesthetics and cultural diversity from there. The simple style is meant to remind us of the soil of Taiwan, an island full of volcano, a simple beauty, in the idea that the warm tea reactivates the cooled volcano within us! ca. 130ml capacity.

Tonkanne Vulkangestein (mit Gold)

Clay pot made of volcanic rocks from Taiwan by Master Lin Guanxian. This clay pot symbolises the treasures from the soil of the country with the gilded areas. Lin Guanxian studied in Japan. His style has been influenced by the aesthetics and cultural diversity from there. The simple style is meant to remind us of the soil of Taiwan, an island full of volcano, a simple beauty, a treasure island (the golden spots), in the idea that the warm tea reactivates the cooled volcano within us! ca. 150ml capacity.

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